ST. PAUL, Minn. – Every U.S. state has its share of invasive species, and in Minnesota, reed canary grass is one of them. But creative people know the common invader can also be turned into something artistic and practical.

Artist and Assistant Professor of Printmaking at Minnesota State University Moorhead Anna Haglin was part of the West-Central Minnesota Paper Plains project over the summer. She took her mobile studio to several locations, using reed canary grass to teach people how to make paper.

Haglin says kids were eager to take the paper they'd embedded with native prairie seeds home to plant in their backyard.

"I like to describe it as a magic trick,” laughs Haglin. “You take invasive grass and you're sort-of turning it into 'good' grass, so it's sort-of all about the conversation that then happened around that."

Haglin says Minnesota artists are fortunate, since the state has one of highest per-capita legislative appropriations to state art agencies in the country, spending $7.26 compared to $0.17 in neighboring Wisconsin.

Haglin says she can't remember a time she wasn't aware of climate change and its environmental effects, causing reed canary grass to spread. In the art world, her work is known as 'social practice,' because it focuses on the interaction between the audience, social systems, and the artist.

"An issue that I care about doesn't have to be something that I am shocking people with, or scolding them,” says Haglin. “We can all work towards a positive solution. Something that everyone enjoys."

The paper project is funded through a grant from the Fergus Falls-based West Central Initiative and Springboard for the Arts, an economic and community development organization.


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Winter is here, leaving many older South Dakotans vulnerable to social isolation. But a growing body of research, as well as opportunities, shows these individuals can improve their quality of life through creativity.

A study published shortly before the pandemic found that participating in community choirs can be a solution for reducing loneliness and increasing interest in life among older adults. And senior advocates have said it can go beyond music, with simple arts and crafts projects serving as creative outlets.

Lindsey Holmquest, associate state director for community outreach at AARP South Dakota, said they all tie together to reflect how beneficial these hobbies can be.

"Studies suggest that participating in art programs can improve physical and mental health by engaging the creative part of your brain," she said, "and that reduces stress, it improves resilience."

She stressed that it doesn't have to be something that requires a lot of talent, time or money. AARP tries to foster that approach through its "Art Together" sessions, with a statewide virtual event scheduled for Dec. 12. The registration deadline is midnight this coming Monday. Participants are asked to pay $10, and the materials will be mailed to them.

Outside of a specific program, Holmquest said the simple approach to arts and crafts can come in multiple forms.

"Finding some coloring books, or some watercolor paints, [it] makes you think in a different way, makes you see in a different perspective," she said.

And if you participate in an organized group or event, Holmquest said not only does it help to reduce loneliness, but can also make it easier to try something new when engaging with others, either virtually or in person. AARP South Dakota's sessions include guidance from local artists.

A new three-part documentary film series examines the intersection of sports and identity within a community.

"Outlier" looks at what it means to be a Latina woman and a backcountry snowboarder. Danielle Reyes-Acosta, the film's executive producer and co-director, said the inspiration for the series was looking at how she, as a Latina, fit into the predominantly white mountain areas she calls home.

Skiing since she was a child, Reyes-Acosta went into marketing - but after some personal tragedies, decided to become a backcountry skier. She described one possible misconception about the film.

"I think that it's that these worlds can't coexist, and I do think they can," she said. "And so, I challenge anyone that says, 'A storytelling piece can't also have adrenaline in it,' to watch it - and vice versa. You think that adrenaline pieces can't also have plotlines and character development that leans into the core essence of our humanity?"

The film's title is a reflection of how Reyes-Acosta identifies as an "outlier," much like the mountain ranges where she snowboards. Those mountains provided some challenges in making the film. It will be screened at the Banff Centre Mountain Film Festival, and released on Vimeo next spring.

In making the film, Reyes-Acosta said she felt anxious about confronting the vulnerabilities of action sports and her cultural identity. But she said it's just one part of a journey of self-discovery. She added that it also is intended to provide a different perspective on what it means to be Latinx.

"The Latinx community is certainly overrepresented in low-wage, service industry jobs," she said, "and we haven't been seen as leaders; whether it's in the outdoor space, corporate America and the creative world."

She was afraid about whether the film would be accepted or erased, but she's found an outpouring of support in the Hispanic community. Reyes-Acosta said she hopes people who see the film take away the impression that being "different" can be beautiful.


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Artists in Montana have recently immortalized the state's national monuments on canvas.

At "Pint Night" events put on by the Montana Conservation Voters, two artists finished live paintings of the Upper Missouri River Breaks and Pompeys Pillar, two of the state's three national monuments that were both designated in 2001.

Terri Porta in Billings painted a landscape of Pompeys Pillar, a rock formation that was significant to Native Americans and also the Lewis and Clark journey west. Porta said it's important to keep all aspects of history in mind - both good and bad.

"We have to remember our history," she said. "We need to take better care of our land, and these kind of places that become a national monument - that helps to contain it, to bring it into a place where everybody's accessing these memories too, and we won't forget what happened."

Since the Antiquities Act of 1906, presidents have had the power to designate national monuments - and presidents from both parties have wielded that power to preserve culturally significant landscapes. Montana also is home to the Little Bighorn Battlefield National Monument.

Stella Nall, an artist who "live-painted" the Upper Missouri River Breaks National Monument in Missoula, said her work, which incorporates beadwork, is designed to challenge stereotypes about indigenous art. Her painted landscape was positioned in the belly of an imaginary animal with three legs.

"My intention with this piece is to hopefully draw more viewers into the landscape who might not necessarily automatically connect with landscape art," she said. "So, that's why I incorporated this imagined creature."

National monument protections are popular with the public. According to a recent poll, nearly 80% of Montanans support a president's power to protect existing public lands as national monuments. Paintings of all three national monuments in Montana will be featured at the Montana Conservation Voters' annual gala in October.