WALES, Maine -- Land trusts across the Northeast have partnered with poets this year for the first edition of "Writing the Land," an anthology to help raise awareness of the value of protecting nature.

Forty poets each wrote pieces inspired by different areas of conserved land, including here in Maine.

David Crews, one of the poets, worked with three different Land Trusts, including Liberation Farms and the Little Jubba Central Maine Agrarian Commons. He said each one allowed him to connect with the land, and people who work the land, in different ways.

"They're really trying hard to try to give voice not only to the land itself, but to people who are trying to serve the land in responsible ways," Crews explained.

The anthology can be purchased at the Land Trusts featured in the book. Next year, Writing the Land will have four anthologies coming out, featuring more than 100 poets and more than 50 Land Trusts. One of them will cover Maine specifically, because the state contains so much protected land.

Rachelle Parker, another poet in the anthology, said for her, being a part of the project meant connecting with the ways land offers sustenance and shelter.

"For me, I write from a point of view of a descendant of enslaved Africans," Parker noted. "So they had to rely on the land to gain freedom at times, transporting themselves from slavery to freedom, and how the land was there to accept them and to welcome them."

Lis McLoughlin, director and editor of Writing the Land, hopes the poems take readers on a journey and encourage them to emotionally connect with nature; the spaces represented in the poems and what they have around them.

She said when her community in Massachusetts was threatened by a pipeline in 2014, a Land Trust came to their defense.

"I came to realize that Land Trusts are really important," McLoughlin recounted. "Their mission of protecting land is for everybody. So I thought, 'Well, my poetry comes from the land, I may as well use it to help protect the land.'"

A new museum exhibition in Baltimore opening to the public today aims to tell the story of Maryland's fight for civil rights, both in the past and present.

"Passion and Purpose: Voices of Maryland's Civil Rights Activists" is now on display at the Maryland Center for History and Culture. It showcases oral histories and photography, exploring how Marylanders have long been at the forefront of the national struggle for Black freedom.

Linda Day Clark, a professor at Coppin State University and one of the exhibit's advisers, said the exhibit is not about reinterpreting history, but rather giving visitors a chance to draw their own conclusions about events in the past.

"This exhibition is a great opportunity for people to come in and have a sense of pride of place of what Maryland did as part of the civil rights movement in the past, and is continuing to do today," Clark explained.

The exhibit includes oral history conversations with civil rights leaders including Juanita Jackson Mitchell, Gloria Richardson, the Reverend Marion C. Bascom, and many others. It also shares more recent oral histories recorded during the 2015 Baltimore uprising, after Freddie Gray, a 25-year-old Black man, died from a spinal cord injury while in police custody.

Joshua Clark Davis, associate professor in the Division of Legal, Ethical and Historical Studies at the University of Baltimore and an adviser for the project, said the exhibit, in part, is meant to display how Maryland's civil rights movement fits into the national context.

"There were struggles against discrimination, whether it's in schools, whether it's in theaters," Davis observed. "It's just so important to get people to remember that it wasn't something that just happened in these other places, the struggles that were happening in this state was a microcosm of this national struggle."

"Passion and Purpose" is on long-term view at the center. Upcoming public events related to the exhibit include a virtual conversation on Black activism in Maryland next Thursday, featuring Clark and Davis, along with exhibit advisor David Taft Terry, an associate professor and coordinator of the museum studies and historical preservation program at Morgan State University.

An upcoming art exhibition in Chicago aims to provide a new framework to view the city's struggles with housing, past and present.

Hosted by the Weinberg/Newton Gallery on North Milwaukee Street, the "Key Change" exhibition envisions the housing crisis through painting, collage, sculpture, video and large-scale installations.

Nabiha-Khan Giordano, co-director of the gallery, said the idea is to highlight alternative solutions to the housing crisis.

"Like most private ventures, there's a tremendous amount of asymmetry in private housing," Giordano pointed out. "And it's this very unevenness that many of the participants in the exhibition are compelled to represent."

The exhibit, which opens Friday and runs until July 16, comes as many people across the state struggle to meet their housing needs, since most pandemic-era support programs have ended. A February report from the Institute for Housing Studies estimates about one in four Illinois renters are behind on their rent, and more than half of renters who've fallen behind on their payments believe they could be evicted by May.

Isabel Strauss, an artist at Riff Studio, is an architect by training. Her work for the Key Change exhibit is a collage of images and artwork, some by Black artists, with archival photographs, including homes demolished due to racist housing initiatives. Strauss said part of her goal is to spur discussion on reparations for Black Americans.

"A lot of people shut down entirely when you even mention the idea of reparations," Strauss acknowledged. "But I think most of us -- from personal experience, or through the lens of the affordable housing crisis that's happening now -- I think most of us can understand the need and the desire to have a place to live."

Black people in America have historically been barred from homeownership through intentional urban planning choices and the discriminatory credit and insurance policies known as redlining. Strauss noted those practices have hampered the accumulation of wealth in Black communities.

"Homeownership has been a tool to accumulate wealth," Strauss explained. "It can be a financial asset and also give people a respite from the racial reckoning that we've seen publicly over the past couple years, but also many of us have known and lived with for much longer."

The Key Change exhibition is a collaboration between the Weinberg/Newton Gallery and Mercy Housing Lakefront, an affordable housing nonprofit. According to a news release, Mercy Housing operates more than 5,500 homes, with about 8,000 residents, across Illinois, Indiana and Wisconsin.

"Worlds Imagined" is the theme of this year's campaign for Developmental Disabilities Awareness Month - which is March. Iowans with disabilities and their advocates hope the public pays more attention to their creative work.

The campaign is about promoting the everyday contributions of those with disabilities, they say, and how communities can be inclusive in helping them achieve goals. Des Moines author Diane Glass, who was born with spina bifida, said she hopes her latest collection of poetry resonates on two key fronts.

"I think that this creative approach can hopefully give people with disabilities some differing perspective on their situation," said Glass, "and can help the larger public understand that people with disabilities are a wonderful resource."

Over the past decade, arts organizations and agencies have acknowledged those with disabilities are underrepresented in the performing and visual arts. That includes participation, employment and even attendance at performances.

As part of the campaign, the Iowa Developmental Disabilities Council is accepting submissions of creative work and testimonials this month to share with the public.

Adam Reynolds, a Des Moines resident who has cerebral palsy, described photography as his passion. Through social media, he shares a range of photos, with the downtown area serving as his favorite location.

"I do daytime and nighttime shots of the capitol and of just, you know, numerous buildings," said Reynolds.

He said he hopes that one day he can expand his audience through other avenues. Reynolds said his ultimate goal is to secure enough funding to open his own gallery.

But to get there, he said he feels there needs to be more support from influential voices on the arts scene, and the community in general, to help him realize his dreams.